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Family at Heart of Winterthur

Family has been at the heart of Winterthur’s story since the du Ponts settled here more than 200 years ago.

Today, Winterthur is still about family, with the Enchanted Woods play area enthralling young children for hours and upcoming programs that will entertain and educate family members, young and not-as-young alike. In fact, this fall we’re expanding our family programming on Saturdays, so stay tuned for more on that.

But summer is here, and there is much to do. We have Story Time scheduled for July 6 and 20, and our popular Terrific Tuesdays begin July 4 and continue weekly in July and August from 10 am to 3 pm.

Terrific Tuesdays this year will tell the story of the families who lived, worked, and played at Winterthur for decades before it became the museum, garden, and library that it is today.

Crafts, games, and demonstrations— all inspired by families who called this place home— will introduce history, art, conservation, and storytelling to kids ages 3 to 10 and the adults they bring along.

Winterthur has been home to three generations of the du Pont family, and it was a self-sufficient community where more than 250 people ran a thriving farming operation that included beef and dairy cattle, sheep, pigs, poultry, horses, fruit, and vegetables.

Today we’re going to tell you some stories that were collected in 1973 from Maurice Gilliand, who began in 1944 to serve as a footman to Winterthur Museum founder Henry Francis du Pont (1880–1969). As Gilliand would quickly learn, du Pont was a renowned horticulturist with specific tastes, a love of food, an eye for décor, and a complicated disposition that could be prickly and kind, oftentimes at once.

Gilliand came from France to America in 1930 and he worked in houses on Long Island before coming to Winterthur. Gilliand’s wife, Doris, was hired as a chambermaid, and the couple lived in a small house on the estate.

There were about five footmen and a butler among a staff of 20. After two years, Gilliand was promoted to butler. Gilliand was flattered when du Pont made the offer, although he noted that du Pont warned him at the time that he was demanding and expected perfection. Gilliand nonetheless accepted and went on to learn a lot from du Pont.

“My duties were to set the table, of course, serve the meals, serve the teas, and serve cocktails and all that, and I was the man responsible to Mr. du Pont for the rest of the staff,” Gilliand recalled during an interview that is part of ongoing initiatives to preserve the history of the estate.

Maurice Gilliand prepares for guests

“And you directed the rest of the staff?” the interviewer inquired.

“I must say Mr. du Pont was the head butler,” Gilliand replied.

“Just as he was head gardener,” the interviewer observed. “Was the operation here different in any way from the other houses you had worked in? Was Mr. du Pont special in his approach?”

“Well, yes, much more so because any other house where I worked, the lady was in charge, but here Mr. du Pont was in complete charge of the house and planned everything, planned all the menus, and planned all the table settings,” Gilliand said.

On the weekends, the house would be filled with 16 to 18 house guests, with other visitors present only for meals, making two dozen people for a formal dinner.

On Wednesdays, a gardener would bring flower samples into the house for du Pont and Gilliand to match with china, table mats, and glassware for the dinner.

“Sometimes Mr. du Pont would ask me my opinion and then would say, ‘Maurice, Maurice, you must be color blind!’,” Gilliand remembered. “Now and again, Mr. du Pont would give me a free hand to make a selection. On one occasion when guests entered the dining room, they exclaimed, ‘Oh, Harry, Harry what a beautiful combination,’ and Mr. du Pont replied, ‘Oh yes, I have had this set of china for a long time, and this is the first that I was able to match it successfully.’ As I was standing nearby, he looked at me with the corner of his eye and winked, but he said, ‘I must admit to you it was Maurice who achieved this masterpiece.’ After dinner, Mr. du Pont put his hand on my shoulder and said, ‘Maurice, you have learned your lessons well, you are not color blind any longer.” This shows you that when you knew Mr. du Pont’s likes and dislikes, it did not take much to make him happy.”

The weekend guests arrived on Friday afternoons and were received in Port Royal Hall.

In the hall, it was mandatory for guests to sign the guestbook. Then tea was served in Port Royal Parlor, after which guests were taken to their rooms, Gilliand said.

Port Royal Hall
Port Royal Parlor

The footmen served cocktails at 8 pm in the Chinese Parlor and dinner at 8:30 in the Du Pont Dining Room.

Chinese Parlor
Du Pont Dining Room

“The food was plain, but the best, as it was nearly all produced on Winterthur Farms,” Gilliand recalled.

While the guests were dining, footmen and chambermaids took turns scrambling upstairs to tidy the guests’ bedrooms and put away all their clothes and belongings. They also removed the “good bedspreads” so no one would lie on them. Those bedspreads were just for decoration.

The du Ponts and their guests played bridge after dinner (Mr. du Pont was an expert) in the Chinese Parlor and the Marlboro Room.

Marlboro Room

Footmen served refreshments and sandwiches at 11 pm, and the game would resume until the wee hours of the morning.

Other nearby rooms—the Baltimore Room, Chestertown Room, and Empire Parlor–were never used for entertaining.

Baltimore Room
Empire Parlor

“These rooms were only for show,” Gilliand said. “Guests were never allowed to sit. Mr. du Pont was very strict about that. If he caught any sitting or leaning— No those were not used.”

Chestertown Room

Though the Chestertown Room was referred to as the “breakfast room,” the du Ponts and guests never ate there. They were instead always served breakfast in their bedrooms.

Gilliand said he believed he had only ever made one serious mistake for Mr. du Pont, and it wasn’t leaning on the furniture.

“I’ll never forget it the rest of my life,” Gilliand said.

Du Pont had told Gilliand to telephone a woman and include her on the guest list for an upcoming occasion. Unfortunately, Gilliand misunderstood the name.

“I came back to Mr. du Pont, and I said, ‘Mr. du Pont, Mrs. So-and-So accepts with pleasure,’” Gilliand said. “He said, ‘What lady?’ I said, “Mrs. So-and-So you invited.’ He said, ‘Maurice, damnation, damnation, how could you do such a thing, how could you? I didn’t want that lady for this dinner.’”

At that point, it was up to Gilliand to find a gentleman who could accompany the woman to the dinner. Or, at least, those were Mr. du Pont’s orders.

But Gilliand chose to solve the problem in a more straightforward way: He called her back and admitted his mistake.

He asked the woman if he could tell Mr. du Pont that she had overlooked a scheduling conflict and could not attend. He also asked whether she would keep the matter between herself and Gilliand.

She said, “Oh, don’t worry, Maurice, it won’t go any further.”

Gilliand returned to the study where Mr. du Pont was speaking with someone. Du Pont immediately told Gilliand to enter, as he always did, and the butler explained, “Mrs. So-and-So didn’t realize she had a previous engagement and she will not be able to keep your dinner date.”

Du Pont replied, “Maurice, too bad, too bad, sorry to hear about that.”

Gilliand said he did not know du Pont’s wife, Ruth, very well because she dealt exclusively with the female servants.

But Gilliand did know that she liked to tease her husband by pretending she could not hear him.

“So, he would repeat it and she would say, ‘What did you say, Harry?’ and he would blow his top,” Gilliand said. His wife would laugh and smile.

One time, du Pont yelled at Gilliand for something similar.

Gilliand legitimately did not understand something du Pont was saying, partly because he was speaking while holding a cigarette in his mouth.

After Gilliand twice asked du Pont to repeat himself, du Pont began to yell.

“So, I just walked out very quietly into the pantry and stayed there for a couple of seconds and I walked back and said, ‘Now, sir, what is it you are trying to tell me?’ Very nicely he came and told me what he wanted. After that, he never shouted at me, never.”

Du Pont treated his staff well and worked alongside them, Gilliand said.

During the week, Mr. du Pont would be up at 6 am and have a simple breakfast of “a glass of milk and a glass of orange juice.” He would then receive all the supervisors of the estate in his study to get an update on operations.

On the occasion of a large wedding with several hundred guests at the estate, du Pont threw a party for the staff when the wedding and reception were over.

“He left me enough wine, champagne, and whiskey to share with the staff,” Gilliand said.

Maurice Gilliand

“Mr. du Pont was a very good employer, kept many of his people for a lifetime,” Gilliand said. “He never was too busy to chat, or discuss problems, if any, and help you if he could. To me, he was a friend. I am still grateful for all the knowledge he gave me of American art, and he is missed by many of us.”

You can learn more about life at Winterthur during the upcoming Terrific Tuesdays.

The family that will be featured on the first Terrific Tuesday had roles running Winterthur’s post office, with the father also serving as a chauffeur to Mrs. du Pont.

One of the girls in the family recalls being on the farm with the du Ponts’ daughter, Ruth, and going with her to drink milk “straight from a cow.”

Bottoms up, and see you at Terrific Tuesday!

Cows on Winterthur farm
Featured

Millions of Bulbs?

The upcoming Bank to Bend event on March 9 celebrates the snowdrops on the March Bank, which also features winter aconites, snowflakes, and crocuses—and this year, because of the mild weather we are already seeing daffodils, scilla, and squill popping through the leaf litter. One of the questions that comes up often but that I am always a little hesitant to answer is, “How many bulbs are there in the March Bank?” I always say millions, with my fingers crossed behind my back because, after all, I have not counted them.

I finally decided to resolve this nagging doubt. Using Google Earth, I plotted the area of the March Bank, following the general boundaries of the area that we used for its restoration, but decreased them slightly. I drew a line from the Scroll Garden to the 1750 House, then over to Magnolia Bend, but I excluded the Glade. The area enclosed by this measurement is 6.9 acres, or 300,564 square feet.

Looking at one square foot of the March Bank, I chose an estimate of 10 bulbs per square foot. This number is very conservative—some areas have as many as 40–50 bulbs in a square foot, whereas others have only a few or no bulbs, including the paths and watercourses. So, 10 is probably a fair guess.

Next, I multiplied 300,564 (the number of square feet) by 10 (the average number of bulbs per square foot) and got 3,005,640 bulbs. Even if my assumptions are off by half, it would still be more than a million bulbs. I propose that saying the March Bank has “millions of bulbs” is well within the margin of error.

Please join us on March 9 to see these beautiful bulbs for yourself on a guided or self-guided walk.

Post by Chris Strand, Charles F. Montgomery Director and CEO of Winterthur

Magic and Memories: Story Time Adventures in Enchanted Woods

Two-year-old Miles toddled into the Story Stones area in Enchanted Woods at Winterthur and immediately spotted something intriguing. He grabbed a scoop from a bucket of potting soil and began to dig. The adults around him laughed and gently reminded him that he would have to wait until after story time to start the activity related to the book of the day.

He sat on a stone with his grandmother, Pat Caplan, and patiently waited as other children began to find their way to the clearing from different parts of the three-acre children’s garden. Caplan, a Winterthur Member, explained that she was babysitting for the day and checked Winterthur’s website to find an activity to entertain Miles.

Story time, included with admission to Winterthur, fit the bill perfectly.

Miles, center, and his grandmother, Pat Caplan, left, enjoy the seed-planting activity after a recent story time in Enchanted Woods.

Story Time in Enchanted Woods is designed for children aged 3‒6 and takes place every Thursday at 11:00 am from April through October among the Story Stones, one of many magical features of the garden.

After each nature-centered story, children enjoy a sensory station with objects and activities that match the day’s story. On the day Miles and his grandmother visited, the activity involved planting seeds in a biodegradable paper cup for the children to take home.

Michele Weiner, center, captivates the children with her engaging story telling.

Even without story time, Enchanted Woods is the perfect place to bring young children to let their imaginations run free. Designed to appear as though it was crafted by fairies, Enchanted Woods weaves its own tale, free of references to popular children’s stories, making the garden feel timeless and like a blank slate that children can fill with their imaginations. Its creation myth speaks of the fairies and sprites—missing the laughter of children who once played there—gathering artifacts from the Winterthur estate to build a spellbinding haven.

Recently, the Atlas Obscura podcast devoted an episode to Enchanted Woods, highlighting its unique charm.

Story time enhances this wonderful experience, often led by volunteers like Michele Weiner, a Winterthur Member and teacher who has worked with students struggling to read. As a story time volunteer, Weiner emphasizes the pictures in the books she reads and stays animated to keep the children’s attention. She is one of more than 250 volunteers who give their time to Winterthur.

On this day in Enchanted Woods, Weiner captivated the children, especially Miles, whom she addressed by name several times during the reading, having met him only moments earlier. For Miles, this personal touch made the day with his grandmother even more special.

Families gather at the shady Story Stones to enjoy the week’s story.

New Library Acquisition: The Appleton Ledger

By George Drake

The word “ledger” calls to mind neat columns of numbers and meticulous recordkeeping. But what happens when a ledger stops being used for its intended purpose? Winterthur Library recently acquired a William Appleton and Company ledger, which gives insights into the global reach of a 19th-century Boston-based merchant shipping company and the life and times of the man whose name was at the top of the company’s masthead. It’s interesting enough as a record, but this volume is also exciting because it illustrates what can happen when a ledger that’s no longer used by the company falls, decades later, into the hands of a child who needed a scrapbook and sketchpad.   

William Appleton (1786–1862) was a businessman and politician from Massachusetts, whose business acumen was clear early in life.  In 1801 his first foray into business was as a clerk in a store in Temple, N.H., kept by Mr. Artemas Wheeler. Appleton made such a favorable impression on his employer that at the age of 19 he was made a partner.  

Between 1807 and the 1820s, Appleton engaged in a variety of business ventures related to his mercantile interests, including the purchase of some of his earliest ships.  From 1826 to 1841, he owned a counting house in Boston, Mass. In 1841 he and his son James joined Samuel Hooper to form William Appleton and Company, a merchant shipping firm which engaged in sea trade to ports around the world. 

Detail of a page noting expenses on a ship bound for Bengal, India.

Detail of a page noting expenses on a ship bound for Bengal, India.

The Appleton ledger—a large, leather-bound volume detailing transactions between 1836 and 1843—records Appleton’s rise from a small business owner to a titan of Boston commerce. Many of its pages contain balance sheets for company transactions, either with individuals or other companies (for example, an 1838 transaction with the Liverpool Packet Co. in the amount of $54,143.16—the equivalent of almost $2 million in 2024).  Some entries record transactions related to shipping logistics, including a payment of $6,560 (over $200,000 in 2024) for insurance on the Eben Preble, a 439-ton Appleton-owned ship bound for China. 

Some entries contain balance sheets for domestic and international shipments, including several entries related to shipments made to New Orleans, La., in consignment with Hodge, Oxnard & Co. International destinations with similar entries include Calcutta, Havana, China, and Liverpool. 

The last ledger entry in this roughly 200-page volume was made in 1843, with the business records comprising roughly one-third of the pages.  Given that William Appleton and Company continued for several years after 1843, it’s unclear why it was abandoned with two-thirds of the book’s pages  unused.  Whatever happened, the ledger came into use years later by one or more people for an entirely different purpose.   

Map Your Adventure

Wander Winterthur

Get outdoors and explore! Wander Winterthur’s 1,000 acres of rolling hills, meadows, woodland paths and trails, and wild garden. Click on either the garden or trail map below to get more information on where you can explore at Winterthur. When you arrive at Winterthur, check in at the Visitor Center. 

Winterthur’s 60-acre historic garden has been carefully managed to preserve the unique design created by Henry Francis du Pont and his close friend and landscape architect Marian Coffin. This map highlights the significant garden areas, historic features, and architecture to be found throughout the garden. 

Beyond Winterthur’s historic garden is nearly 1,000 acres of preserved woodlands, meadows, and farmscapes for our guests to explore. This map highlights trails, carriageways, natural areas, and farm buildings that we welcome you to discover.

More to Explore

From a curated list of our most picturesque picnic spots to a how-to guide for hiking on the estate, learn more and adventure your way this season at Winterthur!

Events

Event: Garden & Estate Insider: Garden by Design
Event start date
Jul.
31
Event time 10:30 am-
12:00 pm

Audience: Adult, Member

Enjoy listening to our summer horticultural interns as they engage you in…

Event: Garden & Estate Insider: Nature Walk
Event start date
Aug.
07
Event time 10:30 am-
12:00 pm

Audience: Adult, Member

Enjoy a guided meditative walk with Delaware Master Naturalists to awaken your…

Event: Director’s Garden Walk: Sunset from the Train Station
Event start date
Aug.
10
Event time 7:00 pm-
8:30 pm

Audience: Adult, Member

Join Chris Strand, director of Winterthur, on a special walk highlighting interesting…

Discover the Winterthur Garden Tram Tour

See highlights of the garden and learn the history of Winterthur on this 30-minute narrated tour. The tour begins at the Visitor Center and ends at the museum. Stops include Azalea Woods, Magnolia Bend, and Enchanted Woods.

Learn More

Discover the Winterthur Estate Tram Tour

Visit the former dairy and farm and enjoy expansive views of the landscape. Hear stories of estate history and learn about repurposed work areas and historic buildings. 

Learn More

More to Explore—Outdoors! Tram Tour

Discover the history and stewardship of the Winterthur landscape as you travel to the far corners of the estate to explore aspects of geology and ecology and hear fascinating stories about local history, flora, and fauna. 

Learn More

Take a Hike!

Enjoy the health benefits of hiking while exploring Winterthur’s trail system on this one-hour guided walk.

Learn More

Explore Winterthur at Fourth Annual Artisan Market, July 19-21

WINTERTHUR, DE (July 11, 2024) – Spend a summer day or an entire weekend exploring Winterthur while shopping for unique, artisan-made crafts and gifts during the fourth annual Artisan Market, taking place July 19-21.

This year’s market will showcase some of the region’s most talented artisans, offering an array of outstanding wares. These include antiques and collectibles, furniture and home décor, architectural salvage, high-quality handmade crafts, vintage clothing and jewelry, artisanal and small-batch gourmet goods, original art in various media, garden items, and more.

“Artisan Market has become a popular and lively event,” said Chris Strand, the Charles F. Montgomery Director and CEO at Winterthur Museum, Garden & Library. “It’s not only a wonderful way to spend a day, but it also supports our mission to educate audiences about American material culture, art, and design. Many of the artisans create high-quality crafts related to art, textiles, ceramics, glass, woodworking, antiques, and gardening. Each of these categories connects to Winterthur’s past.”

Drone footage of Artisan Market at Winterthur
Drone footage of a portion of the 2023 Artisan Market at Winterthur as captured by Stephen Ciskanik.

Details about the event and a list of the more than 100 artists, musicians, and food vendors can be found at Winterthur.org.

Please note that all guests are required to purchase an event ticket in advance. This is a rain-or-shine event.  

Purchase tickets online here or by calling 800.448.3883.

Many of the artisans have received widespread acclaim:

The vendors will be in several locations throughout the estate. Visitors can walk the garden paths and enjoy the beauty of the summer blooms and lush greenery while shopping.

With your Artisan Market ticket:

  • visit over 100 local artisans on-site;
  • enjoy live music at various locations;
  • sample culinary offerings;
  • experience the Self-Paced House Tour (on a first-come, first-served basis as capacity is limited).

ABOUT WINTERTHUR MUSEUM, GARDEN & LIBRARY

Winterthur—known worldwide for its preeminent collection of American decorative arts, naturalistic garden, and research library for the study of American art and material culture— offers a variety of tours, exhibitions, programs, and activities throughout the year.

Winterthur is located on Route 52, six miles northwest of Wilmington, Delaware, and five miles south of U.S. Route 1. Winterthur is committed to accessible programming for all. For information, including special services, call 800.448.3883 or visit winterthur.org.

Fun for Families

Children running in the Enchanted Woods.

Join us for exploration, adventure, and play! Enjoy kid-friendly activities, wander the garden, and learn about history while having fun. All activities included with admission unless otherwise noted; free for children under 2. Members free.

Explore Enchanted Woods

Discover the magic of a fairy-tale garden with a visit to Enchanted Woods. Designed to look as though it were created by fairies, this three-acre plot covered by majestic oak trees has several play areas to climb in, on, and over, including a Faerie Cottage with a thatched roof, a giant Bird’s Nest, and an Acorn Tearoom for make-believe tea parties. Enchanted Woods encourages children and their families to engage in imaginative play and creativity. 

Learn more.

Events

Event: Terrific Tuesdays
Event start date
Jul.
30
Event time 10:00 am-
3:00 pm

Audience: Child, Family, Member

Discover how the old influences the new with crafts, games, and demonstrations…

Event: Discover Winterthur
Event start date
Sep.
21
Event time 9:00 am-
4:00 pm

Audience: Adult, Child, College & Graduate, Family, Group

Save the date! Discover Winterthur for free! Explore the museum, garden, and…

Event: Truck & Tractor Day
Event start date
Oct.
05
Event time 10:00 am-
4:00 pm

Audience: Child, Family, Member, Pre-School & Elementary

Get up close to big equipment, suit up in firefighter gear, take…

Event: Tram & Treat
Event start date
Oct.
26
Event time 10:00 am-
2:00 pm

Audience: Child, Family, Member, Pre-School & Elementary

Dress your goblins and ghosts in their Halloween finest and come trick-or-treating…

Activities

Don’t miss these special child-friendly activities. Included with admission. Members free. 

Adventure Packs

Tuesday–Sunday, 10:00 am–5:00 pm

Stop by the Galleries Reception Desk to borrow a backpack filled with a guide, stories, and objects for exploring the galleries and garden.

Touch-It Room

Saturdays, 10:30 am–12:30 pm
Discover our interactive kids’ space, handle objects from the past, and pretend like you’re living long ago.

Hands-On History Cart

Saturdays, 1:00–3:00 pm

Meet our curators and conservators in training. Hear what their work is revealing. New topic each week.

More Adventure Awaits!

Join us for fun in every season. A family membership offers unlimited free general admission, garden tram tours, Member days and discounts, and daily dawn-to-dusk access to the estate year-round. Learn more or call 800.448.3883.

Mowing the Meadows

While Winterthur’s museum and galleries are home to impressive artwork and craftsmanship, the Winterthur estate of nearly 1,000 acres is also a canvas of breathtaking woodlands, meadows, and wetlands.

We know many of you share our passion for this magnificent Delaware treasure. Our Members often savor (and photograph) serene walks past our meadows brimming with tall grasses, wildflowers, and a dazzling array of dragonflies, butterflies, and birds.

One Member was recently concerned upon seeing that some of these meadows had been mowed. They reached out to question whether this mowing might have disrupted the habitat that so many creatures call home.

We thought this was a great opportunity to share the story behind our meadows and why mowing them is an essential part of their care.

Fields were recently mowed in the East Barn Meadow at Winterthur.

Why Do We Mow Our Meadows?

Our meadows are not just picturesque—they are vital habitats for many species. Mowing is a key part of maintaining their health. It helps control the spread of weedy and invasive plants that can overshadow the native flora, which is crucial for the well-being of our pollinators and wildlife.

Our dedicated Natural Lands team carefully schedules mowing to minimize any impact on ground-nesting birds, pollinators, and other wildlife. For example, cutting plants like milkweed at specific times benefits monarch butterflies, as the regrowth provides an ideal environment for them to lay eggs as the last generation of monarchs for the season prepare for a long journey to overwinter in Mexico.

The Balance of Nature: Rotational Mowing

To maintain the delicate balance of our ecosystem, we practice rotational mowing. This means we always leave some fields uncut, allowing blooming plants to thrive and ensuring that pollinators have a continuous supply of flowers throughout the growing season.

Curious to learn more?

Check out our recent blog post on how prescribed burning plays a role in our land stewardship. You can also join us for the Director’s Garden Walks, held on the second Saturday of each month, where we’ll dive into unique topics like the intriguing chimney swifts at Farm Hill.

And don’t miss our Garden & Estate Insider walks every Tuesday for a deeper exploration of the estate’s hidden gems.

We cherish the support and engagement from all our visitors and Members. You inspire us to keep these lands flourishing and beautiful for generations to come.

Honoring Our Oldest Trees

Five areas of forested land at Winterthur were recently inducted into the Old-Growth Forest Network.

Tree species in the five areas include white oak, red oak, American beech, tulip poplar, black gum, redbud, and flowering dogwood. The trees date between 100 and 300 years of age and are in Browns Woods (17 acres), Chandler Farm Woods (53 acres), Old Quarry Woods (44 acres), Duck Pond Woods (46 acres), and Negendank Farm Woods (12 acres). A tulip poplar in Chandler Farm Woods has been designated as a Penn Tree. Found in Delaware, New Jersey, Pennsylvania, and the Eastern Shore of Maryland, these trees were living when William Penn first visited Pennsylvania in 1682.

The forests at Winterthur are the homelands of the Lenape peoples who inhabited the region centuries before European settlers arrived. The du Pont family moved to Winterthur in 1839, and over four generations they left the woodlands largely untouched.

Winterthur is the fourth old-growth designation in Delaware and the second in New Castle County, joining more than 240 other forests in the national network of protected old-growth areas open to the public.

The Old-Growth Forest Network (OGFN) connects people with nature by creating a national network of protected, mature, publicly accessible, native forests. Founded in 2012, OGFN recognizes exceptional forest advocates, educates about the ecological benefits of old-growth forests, and speaks out regarding immediate threats to specific ancient forests.

There are 10 miles of roads and 25 miles of paths and walking trails on the estate, many of which pass through woodlands, so try to find time to visit Winterthur and its trees this summer.

Juneteenth celebration will inspire visitors June 15

WINTERTHUR, DE (June 11, 2024) – Storytellers, musicians, and dancers will help visitors celebrate Juneteenth at Winterthur Museum, Garden & Library on Saturday, June 15, 11:00 am–3:00 pm.

Most activities are included with admission and are free for members.

The Wilmington Ballet and the Whitney Project will fill Winterthur’s Enchanted Woods and Copeland Lecture Hall with performances enriched by and deeply rooted in African American arts and culture.

The day will also include a World Marketplace in Enchanted Woods featuring A Flicker of Daisy, Created by LA, CreationsbyT, and Soleil Dancewear.

Register for the event at https://www.winterthur.org/calendar/juneteenth-freedom-day/

The festivities begin at 11:00 am with a “Celebration of Black Joy” performance in Copeland.

The World Marketplace will be open 11:00 am–3:00 pm in Enchanted Woods, with:

  • African dance demonstrations, 11:30 am and 12:15 pm.
  • Lift Every Voice at 12:45 pm.
  • Drum circle at 12:50 pm.
  • Storytelling at 1:15 pm.
  • Community dance jam at 2:00 pm.
On June 15, 2024, the Wilmington Ballet and the Whitney Project will fill Winterthur’s Enchanted Woods (pictured here) and Copeland Lecture Hall with performances enriched by and deeply rooted in African American arts and culture.

ABOUT WINTERTHUR MUSEUM, GARDEN & LIBRARY

Winterthur—known worldwide for its preeminent collection of American decorative arts, naturalistic garden, and research library for the study of American art and material culture— offers a variety of tours, exhibitions, programs, and activities throughout the year.

Winterthur is located on Route 52, six miles northwest of Wilmington, Delaware, and five miles south of U.S. Route 1. Winterthur is committed to accessible programming for all. For information, including special services, call 800.448.3883 or visit winterthur.org.

New Life for the Old Gatehouse

Winterthur recently received a grant to preserve its historic Old Gatehouse. Located on Kennett Pike, south of the main entrance, the building is one of the more prominent and recognizable parts of the estate.

The gatehouse stands by the drive that was the main entrance onto the estate from 1839 to 1961. Ruth du Pont Lord, a daughter of Winterthur founder Henry Francis du Pont, wrote: “Driving from the railroad station, we would soon reach real country on the other side of the Gatehouse—owl country, fox country—and would speed down the winding mile-long driveway through the enormous woods and up the hill to the house.”

Designed in 1902 by Robeson Lea Perot, a Philadelphia-based architect, the two-story colonial/neoclassical revival building was also the residence for the gatekeeper and his family. Today, the building serves as offices for some of Winterthur’s development staff.

Winterthur requested and received $125,000 for the project and is contributing a matching $125,000. The award was part of $25.7 million in Save America’s Treasures grants from the National Park Service, in partnership with the National Endowment for the Arts, the National Endowment for the Humanities, and the Institute for Museum and Library Services. The funding supports 58 projects in 26 states, the Virgin Islands, and the District of Columbia. Save America’s Treasures requires applicants to match the grant money dollar-for-dollar with nonfederal funding.

The project includes restoring the gatehouse’s iron railing and gate; conserving the historic shutters; painting the exterior of the gatehouse, and more. All work will be completed by the summer of 2025.

At its peak, the Winterthur estate had 12 temperature-controlled greenhouses, a 23-acre orchard, a 5.5-acre vegetable garden, and a 4-acre cutting garden. It also had a butcher shop, sawmill, tannery, post office, train station, and a dairy barn where du Pont bred and raised award-winning Holstein cattle. Ninety-nine cottages housed 250 members of Winterthur’s staff and their families.

Restoring the Old Gatehouse honors its historic heritage and will ensure its stately beauty for years to come, and we are grateful for this grant, which has made it possible. 

Transformations exhibition brings more than 30 contemporary artists to Winterthur

WINTERTHUR, DE – A hat made of wood veneer. A boldly colored quilt from rural Alabama. A meticulously researched project to rediscover and recreate the lost methods of producing Indian chintz, resulting in a modern take on the textile that originated in the 1500s.

These are just a few of the remarkable pieces featured in the new exhibition at Winterthur Museum, Garden & Library, created by more than 30 nationally recognized contemporary artists. Their works draw inspiration from Winterthur’s historic collections, seamlessly blending the past with the present.

On display June 8, 2024–January 5, 2025, Transformations: Contemporary Artists at Winterthur invites visitors to explore how historical influences shape contemporary art. This exhibition highlights the connections between different communities, offering fresh perspectives on history and its relevance to our lives today.

“These artistic expressions reflect each artist’s connection to the fine craftsmanship and design in Winterthur’s collection of decorative arts and archival materials as well as its naturalistic garden and landscape,” said exhibition curator Catharine Dann Roeber. Roeber, Winterthur’s director of Academic Affairs, the Brock W. Jobe Associate Professor of Decorative Arts and Material Culture, director of Winterthur’s Research Fellowship Program, and executive editor of Winterthur Portfolio, emphasizes the deep ties between the artists and Winterthur’s heritage.

Daily guided gallery walks of the Transformations exhibition will be free with admission. No reservations are required. Walks begin in the Galleries Reception Area daily at 2 pm.

Visitors can learn more about the diverse group of artists, ranging from furniture makers and painters to composers and an embroiderer whose work glows in the dark, at Winterthur’s Transformations page: https://www.winterthur.org/transformations-contemporary-artists-at-winterthur/.

Most of the artists in Transformations participated in Winterthur’s Maker-Creator Research Fellowship program, which invites artists, writers, filmmakers, horticulturists, craftspeople, and other creative professionals to immerse themselves in the Winterthur collection.

One of these artists, Elaine K. Ng of Hope, Maine, described her fellowship experience:

“Through a serendipitous encounter at Winterthur with economic historian Alka Raman (also a Winterthur Fellow), a 1966 translation of 18th-century French manuscripts from the library, and an 18th-century Indian palampore on exhibit from the museum collection, my fellowship evolved into a collaborative exploration of traditional chintz techniques and the links between material knowledge, culture, and place,” Elaine explains.

Winterthur museum founder Henry Francis du Pont (1880–1969) had a particular fondness for chintz, which he prominently featured as palampores in his bedroom at Winterthur.

“He loved these Indian textiles because they were part of this whole world of goods that were flowing into the Colonies,” said Alexandra Deutsch, Winterthur’s John L. and Marjorie P. McGraw Director of Collections.

Ng and Raman delved into the texts at Winterthur and identified 25 steps involved in dyeing chintz.

Chintz made with centuries-old techniques by artist Elaine Ng.

“This is the English translation of a Frenchman’s observation of a process, so some of these steps don’t make much sense until you do them,” Ng said, citing an obscure step involving buffalo milk to prevent dye bleeding.

“A lot of knowledge has been lost, but it’s possible to recover tactile knowledge by doing the processes described,” Ng said. “This is about how artists learn and have knowledge in their hands.”

Sharon and Jemica Williams are artists who use their hands to make prized quilts in Gee’s Bend (also known as Boykin), Alabama. Sharon learned to quilt from her mother and grandmother and passed on the tradition to her daughter, Jemica.

The quilters from Gee’s Bend used sacks, clothing, and whatever textiles they had on hand to create quilts that offered comfort to their families. The Gee’s Bend community of quilters trace their roots to enslaved ancestors forcibly relocated from a plantation in Halifax County, North Carolina. The Montmorenci plantation in a neighboring county was once the home of the staircase and architecture that can now be found in Montmorenci Stair Hall at Winterthur Museum, Garden & Library.

Enslaved and free individuals at Montmorenci played an active role in the design, construction, and everyday use of this staircase.

And the Gee’s Bend quilt made by Sharon and Jemica Williams, and recently acquired by Winterthur, is juxtaposed with the staircase, cementing a connection between these three separate regions. The quilt is part of the Transformations exhibition.

A Gee’s Bend quilt on display in Montmorenci Stair Hall at Winterthur.

Artist Judith Solodkin contributed handmade hats as part of the Hatbox/Bandbox Collective in the exhibition.

While Solodkin does not sell her hats, she crafts them to wear to art exhibition openings. She teaches lithography, digital embroidery, and soft sculpture at the School of Visual Arts and Pratt Institute, Brooklyn, NY.

“I make the hats for myself, and it takes about two weeks per hat,” she shared.

A wood veneer hat by artist Judith Solodkin will be displayed as part of Transformations.

Artist Andrew Raftery, professor of printmaking at Rhode Island School of Design, conceived this project after drawing inspiration from Winterthur’s bandbox collection.

Bandboxes were used, primarily by women, to store and transport hats, clothing, and other personal items in the 1700s and 1800s. Fashioned out of pasteboard or thin wooden boards, they were typically decorated on the outside with block-printed papers and often lined on the interior with contemporary newspapers and journals, creating three-dimensional scrapbooks that merged pattern design and current events.

Raftery invited other artists, including former students and colleagues, to create prints that cover the bandboxes.

“Then he thought, we should also get Judith to lend some hats, both because they are cool and also because they help show visitors one of the uses for bandboxes,” said Roeber, the exhibition curator.

Bandboxes by artist Andrew Raftery.

For a high-res graphic of artists involved in Transformations, and for other images from the exhibition, visit: https://www.winterthur.org/transformationsphotos

ABOUT WINTERTHUR MUSEUM, GARDEN & LIBRARY

Winterthur—known worldwide for its preeminent collection of American decorative arts, naturalistic garden, and research library for the study of American art and material culture— offers a variety of tours, exhibitions, programs, and activities throughout the year.

Winterthur is located on Route 52, six miles northwest of Wilmington, Delaware, and five miles south of U.S. Route 1. Winterthur is committed to accessible programming for all. For information, including special services, call 800.448.3883 or visit winterthur.org.